GORDIAN KNOTS: Stephen Kosloff on Hausfrau’s Future (7/7)
In an ideal world, the magazine would be profitable enough that I could publish it for a living. But let’s look at the facts. Hausfrau has a number of things going for it as…
In an ideal world, the magazine would be profitable enough that I could publish it for a living. But let’s look at the facts. Hausfrau has a number of things going for it as…
Why do print when it’s so expensive? There are a number of reasons. First, I’m a bit of a Luddite and a sentimentalist. Second, as a reading experience, turning…
Having no budget to speak of makes shooting a bit harder, because I can’t really ask people who are volunteering to show up at 7 a.m. when the light is good. I do try…
What criteria do you use when casting? First, I have to enjoy being around the people I’m working with. It’s easier using people I know, but it’s also important…
Being in the magazine myself is weird. I don’t really like it, but I have to make sure there is continuity if one or two of my pals who play main characters move or…
The photos come first. It’s much easier and more effective to shape the dialog in response to the photos on the page than vice versa. That way my “actors” don’t have to act.
This week, we’re featuring the brilliantly wacky Stephen Kosloff, founder of Hausfrau Magazine, purported as the first U.S. magazine that doubles as…